• Home
  • Article
    • Article Archive
    • Digital Archive
    • ENews Archive
  • Buyers Guide
    • Buyers Guide
    • 2025 Online Form
  • Advertising
    • Ad Options
    • Media Kit
    • Editorial Calendar
    • Electronic Files
  • Awards
    • FSEA Gold Leaf
  • Subscribe
  • Video Vault
  • Webinars
  • Amplify
  • Contact
  • Events
    .smi-preview#smi-preview-10580 { --smi-column-gap: 10px; --smi-row-gap: 20px; --smi-color: #ffffff; --smi-hover-color: #90c43c; ; ; --smi-border-width: 0px; ; --smi-border-radius: 0%; --smi-border-color: #3c434a; --smi-border-hover-color: #3c434a; --smi-padding-top: 15px; --smi-padding-right: 0px; --smi-padding-bottom: 0px; --smi-padding-left: 0px; --smi-font-size: 20px; --smi-horizontal-alignment: flex-end; --smi-hover-transition-time: 1s; ; }
    • Skip to main content
    • Skip to secondary menu
    • Advertise
    • Subscribe
    • Contact
    • Events
      PostPress

      PostPress

      Print Decorating, Binding and Finishing

      • Home
      • Articles
        • Article Archive
        • Digital Archive
        • ENews Archive
      • Advertising
        • Ad Options
        • Media Kit
        • Editorial Calendar
        • Electronic Files
      • Buyers Guide
        • Buyers Guide
        • 2025 Online Form
      • Awards
        • FSEA Gold Leaf
      • Subscribe
      • Video Vault
      • Webinars
        • Upcoming Webinars
      • Amplify

        Book Sewing

        3 Hottest Print Design Trends of 2020

        June 5, 2020

        By Sabine Lenz, president, PaperSpecs

        “The book’s design is beautiful but look at the production values – it’s basically falling apart.”

        Designers always want to know what is fresh and impactful – trends are indeed an essential part of design – from typography to logos to the big reveal of Pantone’s Color of the Year. It is vital for designers, printers and finishers to maintain a working knowledge of what is currently trending, especially when it comes to out of the box designs and styles. For example, exposed binding for things like event programs and booklets currently is very much on trend. But, for those who are unaware of the trend, it could mistakenly be dismissed as bad craftsmanship.

        This article explores this year’s top three print design trends to better help designers, printers and finishers shape their client’s vision from the very beginning.

        Trend 1: Naked and exposed

        matchbook
        Visible thread and an exposed spine have become additional design elements in book sewing projects.

        In the last few years, it has become more common to see books and booklets that proudly show off the thread that holds them together, resulting in exposed spines. From Singer sewing to Smyth binding, creatives have embraced the visible thread as an additional design element. Instead of trying to hide it or have it blend in, they use it to show off brand (and other contrasting) colors.

        Some may question: Hasn’t this been trending for a while now? If so, why are people still talking about it? Looking at the way any trend develops, first there are the early adopters, then it becomes more popular, then it peaks and slowly fades away. That is, unless someone adds a twist to that trend.

        While Singer sewing and exposed Smyth binding still are popular, what is trending now is a twist on the exposed spine – a combination of the naked spine and a hardcover book: meet Swiss binding.

        While the text block in a normal hardcover book is attached to the case at the spine, in Swiss binding the text block is mounted onto the inside back cover, leaving the spine and its colorful thread exposed. Swiss binding can be used in combination with various text blocks. While Smyth sewn ones are among the most popular options, perfect bound and even side-stitched text blocks
        can be used to create the same effect.

        Trend 2: Vivid colors

        color-foil
        Bright, bold colors are achieved with 5-, 6- or even 7-color printing to expand the color gamut.

        As the value of design rises, brands are going crazier than ever with colors in an attempt to stand out from the crowd. While bold colors have been trending in the online world for a while, thanks to enhanced print technologies designers are going bolder, louder and brighter than ever in their printed pieces. The secret sauces (or, in the case of printers, inks) are neon or fluorescent inks.

        Naturally, they can be applied with traditional printing techniques – offset, letterpress or silk screen. But, what is fueling the popularity of this trend now is the ability to print these colors digitally. Depending on the press provider, printers can add neon yellow, pink, orange, violet, green… using these vibrant neon colors as spot colors is a great way to encourage clients to crank up their design’s “look at me” factor.

        But, it is not just about the neon effect. It also is about extending the overall color gamut that can be achieved. When talking about 5-, 6- or 7-color printing, it means adding more colors to a conventional 4-color process setup.

        This is popular for two reasons:

        1. Printers can increase the overall range of colors, which allows for really rich hues.
        2. The extra colors (and, thus, enhanced gamut) can be used to reproduce a special hue that is out of range of the normal CMYK mix; meaning around 99% of Pantone colors can be matched.

        Thanks to those expanded color options, expect color schemes in 2020 to get even more vibrant and luminous, even in the digital printing world.

        Trend 3: Shimmer and foil

        Zoma
        Foil stamping lends attention-grabbing shimmer to print and packaging projects.

        Granted, foil and shimmer have been on trend for a while now, but as a number of newer technologies are becoming more widely available, foil now is an option for super short to medium to very long print runs and even for variable data.

        The key is knowing when to choose which option to add that extra shine, as well as when and how to steer clients in the right foil direction. Just because you have a hammer does not mean that every one of the client’s projects is a nail.

        Hot foil stamping

        When it comes to a true tactile experience, there is not much better than hot foil stamping. By choosing the right paper and pressure, a nice deep impression is achieved that designers and clients alike love. As the gold or silver foils are completely opaque, they can be used on white paper or go super dark; the sheen will never falter.

        Cold foil

        When it comes to longer print runs and the foiled image is quite large on the sheet, hot foil stamping may not be the best option. Cold foil can be the printer’s best friend in this case, especially when it comes to applications with large-run folding cartons or magazine covers. In addition, cold foil can be applied on the first station of the printing press and then overprinted inline, creating a range of metallic colors without multiple passes on the press.

        Cold foil is run inline with two extra stations on an offset press. As the foil is put down first, this allows for a multitude of shiny colors when printing CMYK on top of the foiled areas.

        Digital foiling

        Enhance an offset and/or digitally printed piece with that extra-super shine with this offline option. As the process is digital, this means:

        • No die, plate or film is required.
        • There is no pressure used, thus no bruising on the back of the sheet.
        • It is ideal for short to medium print runs.
        • It offers the opportunity to use variable-data foiling.

        Foil substrates

        Printers also can turn their approach upside down by utilizing a foil substrate. Use offset or digital technologies to print CMYK right on top to enjoy the same multitude of shiny colors as with cold foiling. Remember though to underprint white in the areas where colors need to stay true.

        Conclusion

        Designers love the creative freedom the combination of foil substrates with digital printing and digital foiling allows. It gives them room to test different options, to push the envelope that extra bit further, to tweak and compare and decide which version matches their vision best.

        No matter which of these trends speaks to designers, printers and finishers most, knowing what is trending allows them to guide their clients that much more expertly. It also gives them a chance to be part of the design conversation early on, helping to shape the client’s vision.

        One of the most useful tools for designers, printers and finishers is The Foil Cheat Sheet, developed and produced by FSEA and PaperSpecs. It is a single, go-to source explaining the different techniques available for creating metallic foil finishes. From hot and cold foil to toner-based and varnish-based digital foiling, the guide describes each technique, showcases examples and provides the advantages and disadvantages of each. To order the Foil Cheat Sheet, visit www.fsea.com (FSEA member and quantity discounts
        available).

        Sabine Lenz is president of PaperSpecs.com, an innovative space for highly committed creatives who are in love with the tactile and interactive experience provided by paper and print. PaperSpecs inspires, shares insights and provides access to crucial, hands-on tools and resources to bring print creations to life. For more information, visit www.PaperSpecs.com.

        Finding the Perfect Recipe for Thick-Book Binding

        December 17, 2019

        By Katy Ibsen, managing editor
        PostPress

        There is no shortage of thick books in this world that required a special binding; text books, novels, educational tools, training manuals, dictionaries and so forth. We’ve all had the opportunity to connect with a thick book.

        When a client brings a thick book to your bindery, it’s important to understand what they are trying to achieve in order to determine the best or most efficient type of binding. Questions to ask include: How many pages? Is there a desire for a spine, and will the number of pages accommodate having a spine? What type of front and back covers will be used? Will there be inserts or tabs in the book? What type of substrate will be used for the body of book (type of material, weight and print coverage % of the pages)?

        To help understand this, we pay particular attention to these questions in the category of cookbooks.

        Cookbooks are taking on lives of their own, now going beyond just an anthology of recipes. Furthermore, cookbooks are used for fundraisers and other special projects for social organizations like Junior League, or special interest publications produced by city/regional magazine brands. The design, photography, editorial content, paper and binding all play an important role in the book’s brand.

        “Binding is such an important part of the printed piece and should be considered early on,” said Sabine Lenz, founder of PaperSpecs. “Not every binding technique is suitable for every purpose.” This growing trend creates new job opportunities for a bindery. Here, PostPress explores the options of binding thick books.

        Coil binding

        spiral-bound-booksCoil or punch binding can be a popular option among smaller publishers or clients that have a project needing efficient binding that is not subject to style or branding. Examples include training materials, finance and legal documents, directories or regional cookbooks.

        John Lugviel, vice president sales and marketing at Rhin-O-Tuff, shares more about punch and coil binding.

        “Our solutions focus on lay flat binding because of its durability, lay-flat qualities and ability to be taken apart for document revisions,” he said.

        Lugviel points to a study on binding by Interquest research, which revealed that coil binding is used for lay-flat documents more than half of the time.

        Of the binderies/facilities surveyed in the Interquest study, lay flat proved to be the popular binding option.

        The data states:

        • Training and education documents, marketing and sales materials, and finance/legal documents were the most common types of documents ordered with lay flat bindings, accounting for nearly 75% of those surveyed.
        • Top vertical markets ordering lay flat bindings included: Education (Higher Education and B2B), Finance & Legal, and Government & Nonprofit. At Rhino-Tuff, Human Resources, Sales & Marketing and Finance are the most common clientele.
        • 86% of those surveyed reported that lay flat binding was applied to letter size, 8.5×11″ documents.
        • The survey revealed that, on average, 58% of the cover material is uncoated card stock, 18% is coated card stock, 17% of the material is clear acetate, 6% is vinyl and only about 1% is laminated.

        Depending on a book’s content, design and layout, the punching will require some consideration. Lugviel says, “When choosing the best punch technology solution for your large book jobs, it comes down to volume and book structure, i.e. tabs, cover types and inserts. If you are binding many books with over 200 sheets (400 pages) per book, an automated punch may be the best solution. There are several high-speed punches in the market but only one that we are aware of that will insert tabs and difficult cover types, such as acetates, poly’s, UV-coated and laminated materials.”

        For large jobs, Lugviel recommends an automated coil inserter with a plastic coil, with a 4:1 oval die. “There are several of these automated electric coil inserters available in the market. The costs for this type of equipment ranges from $15,000 to $30,000 until you get into the high-speed production category, which can go as high as $150,000,” he said. For wire-o (double loop wire) closing, Lugviel points out that there are a wide range of solutions from an automated standpoint, and they range from $30,000 to $150,000.

        For small jobs, Lugviel suggests tabletop punch and binding solutions. “We would recommend a punch with interchangeable die capability,” he said. “This would allow users to use the same punch for plastic coil, wire-o and comb punch patterns.”

        For plastic spiral binding elements for larger books, Lugviel recommends a 4:1 oval die pattern and a tabletop electric coil inserter. This pattern gives users a larger hole to insert the coil. If wire-o is required, a 3:1 (three holes per inch) round or square punch pattern is recommended for larger books.

        Larger than 120 sheets, a 2:1 (two holes per inch) round or square die pattern would need to be used due to margins needed to bind the book without tearing the sheets. 2:1 wire standard sizes go up to 1 ½” and 300 sheets (600 pages) of 20lb paper. There are larger sizes, but they generally are custom made.

        Thread sewn

        Another popular option for lay flat and aesthetics is thread sewn binding. Also referred to as section sewn binding, pages are sewn together before covers are added, creating a visual effect that is also durable – ideal for cookbooks.

        PaperSpecs, the online resource center for creatives working with paper, pointed to DISH cookbook, a special edition featuring recipes from famous chefs across Australia, as a beautiful example of Smyth sewn binding with bright blue thread that matches the book’s cover.

        The Bindery, based in Australia, provided the thread sewn binding for DISH, which PaperSpecs credits for enhancing DISH’s “homemade feel, suggesting that this is indeed a piece to be treasured.”

        Books that will experience some wear and tear are good candidates for thread sewn binding because there is an assurance that there is never a glue failure. The Bindery provides additional tips on best practice for thread sewn binding.

        • 16- or 32-page sections are required for sewing. (If printing as four- or eight-page sections, then the job should be planned so as to insert one into another to make 16-page sections.)
        • Any odd 4pp or 8pp sections must be imposed to insert or wrap around a 16- or 32-page section.
        • All sections must have a minimum of a 7mm and a maximum of 12mm lap edge.
        • The lap edge can be either on the back half or front half of the section but must be on a common edge throughout all sections of the book.
        • All inserts and wraps must be the same size as sections and have the same lap edge as the sections.
        • All folded sections must be the same size from head to tail, and a spine measurement is required.

        According to Lenz, books that show off the smyth sewing are on trend. She states that swiss binding is also popular, where the text block is glued to the inside back cover as opposed to the spine itself.

        “Binding is a very important part of the overall design, the look and feel of a book, and thus should reflect the branding,” she said.

        It’s also important to note that not all threads are created equal; thicker books have always been smyth sewn, to provide a lay flat quality and overall longevity to the book.

        Perfect binding

        Perfect bound cookbooks often are not as lengthy as their hardcover counterparts and will not lay flat; making it a less desirable option among publishers. The option is economical, however, and depending on the content of the book or trim size, may still have a purpose. It certainly is less costly, especially for large quantities.

        Perfect binding a thick book with a soft cover will call for adhesive, and binderies have options: polyurethane reactive (PUR) or ethylene-vinyl acetate (EVA).

        As previously covered in PostPress (see PUR or EVA – What is the Best Adhesive Option, Nov/Dec 2018), each has different qualities that might make it the correct option for different types of books.

        PUR adhesive has many advantages. It can bind varnished, UV-coated, carton, mylar and other difficult stocks, where EVA adhesive may struggle with certain coatings or substrates. PUR also is compatible with digital printing because the kind of adhesive isn’t affected by ink migration.

        Perfect binding can accommodate up to 400 pages and can be bound faster than thread sewn. PUR also provides a substantial adhesive, especially on coated papers and difficult paper stock, which makes it a better choice for larger books. The challenge of getting perfect bound books to lay flat is a challenge and must be looked at carefully.

        Whatever the recipe, there are plenty of options for the perfect thick book binding.

        Book Sewing Technology Responds to Digital Printing Era

        September 4, 2018

        by Jeff Peterson, editor-in-chief, PostPress
        The Smyth Digital machine is a modular system that allows book manufacturers to produce lay-flat “Smyth Sewn” books with a minimal investment.

        The process of book sewing dates back to 1871 when David McConnel Smyth obtained his first patent. In 1882 the Smyth Manufacturing Company in Hartford, Connecticut, began the production of the first sewing machines, resulting in significant progress in bookbinding technology at that time in history, hence the industry term “Smyth Sewn.”

        Once a tedious process that took considerable time for set-up and a very skilled operator, today’s book sewing technology is vastly different.

        “Prior to the addition of computers for inputting the book product parameters, an operator had to manually make all the settings to the book sewing machine, which was a lengthy process and left room for operator errors,” commented Jennifer Moffa, account manager for Smyth® USA.

        With advancements in computerization and electronic components, operators now can input the size of the book, the number of signatures per book and instructions on how to open the signatures (by lap or suckers, or both) and the computer provides an automatic set-up that is much more precise and efficient.

        The Muller Martini Ventura MC features a guided signature transport for the processing of especially challenging signatures.

        “The emergence of servo technology reduced set-up, and better control of the thread tension have vastly improved book sewing productivity,” stated Jim Kaeli, solutions manager for the Book Technology and Hardcover Division of Muller Martini. “In addition, barcodes now enable individual books to be sewn with unique content.” Kaeli went on to say that the introduction of digitally produced signatures in the last few years has sparked technology for ultra-short run production combined with sewing – a binding method that was not possible before.

        Book sewing has certainly evolved over the last century, changing with the market needs. “On one hand, integration of the processes, automation and increased efficiency have been the drivers that shaped the modern book sewing machines and lines,” explained Manrico Caglioni, president of Book Automation, part of the Meccanotecnica Group. “On the other hand, the disruptive innovation brought by digital printing technology has driven a complete re-thinking of the sewing process and the rise of new solutions for digital print finishing.”

        Advantages and application

        Book sewing is considered a superior book binding operation when compared to the adhesive binding process, primarily because it allows the book to open and lie flat more easily. It’s a strong construction method that is not affected by inks and coatings, type of paper stock or other environmental conditions – which add up to a binding method with superior longevity.

        New technologies in book sewing have allowed the introduction of specialty inserts or gatefolds, previously not possible in thread-sewn products. “There are machines available today that have the capability to stitch products featuring signatures of different sizes and positions,” said Kaeli. “Today, there are endless opportunities for optimum-quality sewn products to now include a standout feature that can differentiate a book, catalog and brochure and engage readers.”

        Another advantage of book sewing, especially with the growth of digital printing and the associated quick turnaround times, is that thread sewing is a process that can be validated and checked as soon as it comes off the sewing line. “It is immediately ready for the hardcover preparation or for the application of the soft cover,” said Caglioni. “With other chemical binding methods, to guarantee the best results, you may have to wait several hours for the glue or adhesive to dry before validating your job.””

        Another advantage of book sewing is that it is considered a green (environmentally-friendly) process, since it does not use any type of glue or adhesive.

        Applications for book sewing are numerous. The most common are Bibles or other religious publications, children’s books, school books, yearbooks, technical manuals and patent ledgers. Book sewing is an excellent choice for any type of product in which the user will write on a regular basis. “When a book is glued, the pages can flap up, which will not allow the user to properly write or – in the cases of record, log and ledger books – properly input the data,” commented Moffa. “Smyth Sewn books are very durable as well, which is extremely important for these applications wherein the books must stand up to the trials of time and usage.””

        Although book sewing is a high-quality binding option, it is certainly not the best option for all applications. Overall costs can be higher than perfect binding or saddlestitching. But, as mentioned above, for applications when the customer has a need to guarantee the pages will not become detached from the book, it is the best choice for many jobs.

        Newest technologies

        Changes in the marketplace have propelled machine manufacturers to make adjustments and add valuable options to their machines. The Ventura MC thread sewing technology from Muller Martini includes tight-sewn book blocks, with each signature correctly positioned, even at high production speeds. Books with spine lengths ranging from 120 to 510 mm can be manufactured efficiently in both one-up and multiple-up production runs. Many of the settings are automatic and are easily reproducible. The retrofittable Tween® option makes the Ventura MC the first book sewing machine on the market that is capable of stitching products featuring signatures in different sizes and positions, known as tweens. Other advantages of the Ventura MC include its guided signature transport for the processing of especially challenging signatures, the option of production without blind stitches for maximum productivity and its thread welding option for maximum stability and quality. The Ventura MC also is equipped with inbuilt monitoring of the correct sequence and opening of signatures through the automatic Asir 3 optical image and barcode recognition system. It is a quiet, stable sewing process, thanks to thread loop formation with blown air and a two-piece sewing saddle.

        The UNIVERSE can perform sheet feeding, scoring and folding, collating and sewing on the fly.

        To continue to grow with the ever-changing digital finishing world, Meccanotecnica has introduced its new UNIVERSE™ “sheet-fed” automatic book folding and sewing unit for digital print finishing, which is a significant upgrade from the previous versions in terms of performance and the ability to reach higher productivity levels through improvements in process efficiency. The UNIVERSE can perform four processes on the fly, including sheet feeding, scoring and folding, collating, and the final sewing of the product. UNIVERSE allows cost-effective binding of short runs and the production of high-quality books with hands-free workflow due to the auto-programming feature and the reading of barcodes. The UNIVERSE also provides automatic set-up according to book format within minutes and a hybrid feeding system that allows the operator to combine sheets from digital runs with offset signatures.

        Smyth USA has tackled the need for book sewing capabilities in the digital printing arena with its introduction of the Smyth® Digital machine, a modular system that allows book manufacturers to produce lay-flat Smyth® sewn books with a minimal investment. Customers can upgrade from the standalone manual book sewing machine by adding an automatic feeder, turning the machine into an automatic book sewing machine for faster production outputs.

        Another option available is a digital flat sheet feeder that can be added to either the Smyth® standalone manual book sewing machine or to an upgraded automatic Smyth® book sewing machine. The Smyth® digital machine can produce lay-flat Smyth® sewn books consisting of only folded digitally printed flat sheets or it can produce books consisting of folded digitally printed flat sheets and offset signatures coming from the book sewing machine’s automatic feeder. This provides customers with flexibility, as the equipment is able to “grow” with production requirements. The Smyth sewing systems can be purchased fully integrated with the automatic feeder for offset signatures and the digital flat sheet folder or in modular steps, as described above.



        The Official Publication of the Foil & Specialty Effects Association
        © 2025 All Rights Reserved
        Peterson Media Group | publish@petersonmediagroup.com
        785.271.5801
        2150 SW Westport Dr., Suite 501, Topeka, KS 66614