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      PostPress

      PostPress

      Print Decorating, Binding and Finishing

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        Digital

        Digital Decorating: Finding the Sweet Spot

        March 10, 2020

        by Jeff Peterson, Editor-in-Chief, PostPress

        Most of us have become familiar with the digital decorating processes in the print marketplace today. However, there still is confusion on what these processes are capable of and what are the best applications. Adding to the confusion, a variety of digital machines are available for different types and levels of work.

        Even further confusion exists when discussing digital enhancements as related to foil decorating. Through a partnership with Sabine Lenz (PaperSpecs) and the Foil & Specialty Effects Association (FSEA), a new guide has been created to detail the types of metallic foil decorating processes and explain the advantages and disadvantages of each. The Foil Cheat Sheet includes detailed information on hot foil stamping, cold foil transfer, digital foil with toner-based adhesives and digital foil with polymer-based adhesives, as well as the use of foil-laminated substrates. (For more information on the Foil Cheat Sheet and to order a copy, visit www.fsea.com.

        Diving into digital foil and spot coatings   

        Raised-UV-Folder
        Presentation Folder, Inc. invested in a Scodix Ultra digital enhancement press.

        Several companies have taken the step into digital decorating, offering both spot raised UV coatings and digital foil with one machine to expand their services into the growing digital printing world.

        Greg Ortmann, president of Feiereisen, Inc., runs a full-service print finishing operation in Cedar Rapids, Iowa. He was one of the first true trade print finishers to take a chance with a digital machine, purchasing a new MGI JETvarnish 3D digital printing enhancement press more than two years ago through a partnership with MGI and Konica Minolta. “The MGI allows us to work with clients and create actual proofs of different options of enhancements cost effectively,” stated Ortmann. “The short-run side of our business has increased threefold, as many of these jobs never would have happened due to the cost of the conventional processes.”

        Presentation Folder, Inc., Orange, California, has been producing folders and other presentation products for many years, utilizing traditional foil stamping, embossing and spot UV coatings. “As we saw the industry shift to short-run, high-end print projects, digital spot coatings and foil were a natural step for us to take,” explained Marketing Director Aaron Tardie. “Being able to offer clients quick turnaround and deliver exceptional quality were huge factors when deciding to add the foil unit to our digital embellishment capabilities.” Presentation Folder invested in a Scodix Ultra digital enhancement press for its digital foil and spot coating capabilities.

        DMS Color, Pelham, Alabama, also has added digital decorating capabilities to its digital printing operation. “By offering digitally printed embellishments – such as raised foil and varnish – we’ve seen an increase in customers needing short-run packaging,” stated David Rula, partner and business development director for DMS. “For businesses just starting out, this is a perfect way to get high-end branding without expensive tooling and large order quantities.” DMS Color added an MGI JETvarnish 3DS digital enhancement press from Konica Minolta more than two years ago.

        Finding the right fit

        Finding the right “fit” for digital decorating processes is an important element in becoming successful with the process. Rula explained that there have been many opportunities to utilize the process on book covers, invitations and short-run cartons, but one unique area that has been successful is using specialty raised coatings and foils on fine art prints. “When an artist approaches us to print one of their illustrations, they often have an idea in mind,” he said. “However, with our team of experts, we are able to collaborate with the artists to create a show-stopping finished product.”

        Feierseisen has found that small- to medium-sized runs of either spot coating or foil can be cost effective when compared to more conventional processes. “Jobs that have spot UV and small areas of foil with fine to medium detail are a perfect fit for the digital press,” stated Ortmann.

        “With the addition of digital foil, we have certainly expanded into more products,” explained Tardie. “We see much more business cards, greeting cards, invitations, brochures and postcards that require digital foil or raised UV. Being able to produce short runs for these items with digital foil, paired with specialty lamination, really allows us to offer premium and cost-effective products for our wholesale clients.”

        Educating customers

        DigitalInkjetCoating_Feiereisen_FinishwithStyle_Gold
        Feiereisen, Inc. was one of the first trade print finishers to purchase an MGI JETvarnish 3D digital printing enhancement press.

        Education is the key to success with digital decorating. This education is required on two fronts – the printers/finishers that are implementing the process and the education that is needed for customers/clients. For instance, certain restrictions must be kept in mind: There are limitations on sheet size, the type of stocks that are feasible and the coverage – for both foil and coatings – that the process is capable of achieving.

        “Foil and UV projects need to have an aqueous coating, varnish, primer coat or lamination on both sides of the sheet,” added Ortmann. “There is a learning curve with new customers on the process because it is much different than the conventional way everyone is used to seeing.”

        Tardie agreed that providing resources and education on the digital process is extremely important. “We have focused on providing artwork and design resources for our wholesale clients to facilitate their growth and knowledge in how to order digital foil and raised UV. That includes the best way to build artwork for this new process,” he explained. Tardie also stressed that product samples are very important to show how digital foil and raised UV can enhance a printed piece.

        “One of the ways we have changed our strategy is to educate potential customers about the benefits their brand could see from digital embellishments,” stated Rula. “No longer are we just providing quotes to customers. Instead, we are showing how these methods can increase brand recognition – and, ultimately, the bottom line.” DMS implements this education through a variety of media: blog posts on its website, social media snippets and specific case studies. The company also plans to add video content to these platforms in the near future.

        Selling digital enhancements

        DMS-color
        DMS Color added an MGI JETvarnish 3DS digital enhancement press from Konica Minolta.

        Promoting and selling digital embellishments have fit in with the other types of services and products offered by all three of the companies featured in this article. “Selling the process is much the same as selling conventional foil and coatings,” remarked Ortmann, who went on to say that sometimes it can be even easier to sell because the process is so new. Digital foil and coatings give creative minds a design tool that was never before available to them.

        Rula added that promoting and selling digital coatings and foil was a natural step for DMS. “As a print shop that is proud to be rooted in technology, we love pushing the status quo – and our digital embellishments do just that.”

        Presentation Folder, Inc., always has been comfortable in selling and promoting traditional foil stamping, embossing and traditional spot UV, so expanding into digital embellishments was an easy step for the company. “To us, this was a natural progression, and the benefits of the digital process for raised UV and digital foil made the transition smooth,” explained Tardie.

        Recognizing digital decorating limitations

        It is important to remember that the digital decorating process is not the answer for everything. As stated earlier, there are limitations on the type of paper stocks that work well with both raised coatings and foil. Because the process utilizes a liquid polymer that is applied to the sheet, it is best to have a varnish or lamination on the sheet before applying the polymer. So, for applications that require foil on thicker, uncoated stocks, a more traditional foil stamping process is the better choice. And, although an embossed look can be created using raised varnish, a true multi-level embossing only can be done through a conventional embossing process using a die. Finally, for longer runs, the overall cost for a job will be lower and the time needed to complete it will be much less when using a more conventional foil and/or screen UV coating method.

        The explosion of digital embellishments created via a digital inkjet process has brought an enormous amount of attention to metallic decorating – inspiring a demand for the stunning results that have helped grow the overall use of print embellishments, whether hot foil stamping, cold foil or digital foil (toner or polymer-based adhesives).

        Conclusion

        “While the products we produce can be created without digital coatings and foils, these capabilities have given us the opportunity to differentiate ourselves and our customers,” concluded Rula.

        Tardie shared that the addition of the digital foil and raised UV has brought in new clients, which has allowed Presentation Folder, Inc., to offer those same clients additional services – such as diecutting, lamination, traditional foil stamping and embossing, and other finishing services. “This has been one of the many amazing benefits of having the equipment and being able to offer raised UV and digital foil services,” Tardie concluded.

        Offering digital embellishment services has allowed Feiereisen to be competitively priced when offering foil or coatings on small- to medium-sized jobs – jobs that might not typically include those processes if traditional methods were required. It has created opportunities to present customers with a high-quality print enhancement project that keeps costs down with quick turnaround times. “Some of the more elaborate pieces we have been able to create have opened different opportunities of print enhancement applications that we simply can’t achieve conventionally,” concluded Ortmann.

        Book Sewing Technology Responds to Digital Printing Era

        September 4, 2018

        by Jeff Peterson, editor-in-chief, PostPress
        The Smyth Digital machine is a modular system that allows book manufacturers to produce lay-flat “Smyth Sewn” books with a minimal investment.

        The process of book sewing dates back to 1871 when David McConnel Smyth obtained his first patent. In 1882 the Smyth Manufacturing Company in Hartford, Connecticut, began the production of the first sewing machines, resulting in significant progress in bookbinding technology at that time in history, hence the industry term “Smyth Sewn.”

        Once a tedious process that took considerable time for set-up and a very skilled operator, today’s book sewing technology is vastly different.

        “Prior to the addition of computers for inputting the book product parameters, an operator had to manually make all the settings to the book sewing machine, which was a lengthy process and left room for operator errors,” commented Jennifer Moffa, account manager for Smyth® USA.

        With advancements in computerization and electronic components, operators now can input the size of the book, the number of signatures per book and instructions on how to open the signatures (by lap or suckers, or both) and the computer provides an automatic set-up that is much more precise and efficient.

        The Muller Martini Ventura MC features a guided signature transport for the processing of especially challenging signatures.

        “The emergence of servo technology reduced set-up, and better control of the thread tension have vastly improved book sewing productivity,” stated Jim Kaeli, solutions manager for the Book Technology and Hardcover Division of Muller Martini. “In addition, barcodes now enable individual books to be sewn with unique content.” Kaeli went on to say that the introduction of digitally produced signatures in the last few years has sparked technology for ultra-short run production combined with sewing – a binding method that was not possible before.

        Book sewing has certainly evolved over the last century, changing with the market needs. “On one hand, integration of the processes, automation and increased efficiency have been the drivers that shaped the modern book sewing machines and lines,” explained Manrico Caglioni, president of Book Automation, part of the Meccanotecnica Group. “On the other hand, the disruptive innovation brought by digital printing technology has driven a complete re-thinking of the sewing process and the rise of new solutions for digital print finishing.”

        Advantages and application

        Book sewing is considered a superior book binding operation when compared to the adhesive binding process, primarily because it allows the book to open and lie flat more easily. It’s a strong construction method that is not affected by inks and coatings, type of paper stock or other environmental conditions – which add up to a binding method with superior longevity.

        New technologies in book sewing have allowed the introduction of specialty inserts or gatefolds, previously not possible in thread-sewn products. “There are machines available today that have the capability to stitch products featuring signatures of different sizes and positions,” said Kaeli. “Today, there are endless opportunities for optimum-quality sewn products to now include a standout feature that can differentiate a book, catalog and brochure and engage readers.”

        Another advantage of book sewing, especially with the growth of digital printing and the associated quick turnaround times, is that thread sewing is a process that can be validated and checked as soon as it comes off the sewing line. “It is immediately ready for the hardcover preparation or for the application of the soft cover,” said Caglioni. “With other chemical binding methods, to guarantee the best results, you may have to wait several hours for the glue or adhesive to dry before validating your job.””

        Another advantage of book sewing is that it is considered a green (environmentally-friendly) process, since it does not use any type of glue or adhesive.

        Applications for book sewing are numerous. The most common are Bibles or other religious publications, children’s books, school books, yearbooks, technical manuals and patent ledgers. Book sewing is an excellent choice for any type of product in which the user will write on a regular basis. “When a book is glued, the pages can flap up, which will not allow the user to properly write or – in the cases of record, log and ledger books – properly input the data,” commented Moffa. “Smyth Sewn books are very durable as well, which is extremely important for these applications wherein the books must stand up to the trials of time and usage.””

        Although book sewing is a high-quality binding option, it is certainly not the best option for all applications. Overall costs can be higher than perfect binding or saddlestitching. But, as mentioned above, for applications when the customer has a need to guarantee the pages will not become detached from the book, it is the best choice for many jobs.

        Newest technologies

        Changes in the marketplace have propelled machine manufacturers to make adjustments and add valuable options to their machines. The Ventura MC thread sewing technology from Muller Martini includes tight-sewn book blocks, with each signature correctly positioned, even at high production speeds. Books with spine lengths ranging from 120 to 510 mm can be manufactured efficiently in both one-up and multiple-up production runs. Many of the settings are automatic and are easily reproducible. The retrofittable Tween® option makes the Ventura MC the first book sewing machine on the market that is capable of stitching products featuring signatures in different sizes and positions, known as tweens. Other advantages of the Ventura MC include its guided signature transport for the processing of especially challenging signatures, the option of production without blind stitches for maximum productivity and its thread welding option for maximum stability and quality. The Ventura MC also is equipped with inbuilt monitoring of the correct sequence and opening of signatures through the automatic Asir 3 optical image and barcode recognition system. It is a quiet, stable sewing process, thanks to thread loop formation with blown air and a two-piece sewing saddle.

        The UNIVERSE can perform sheet feeding, scoring and folding, collating and sewing on the fly.

        To continue to grow with the ever-changing digital finishing world, Meccanotecnica has introduced its new UNIVERSE™ “sheet-fed” automatic book folding and sewing unit for digital print finishing, which is a significant upgrade from the previous versions in terms of performance and the ability to reach higher productivity levels through improvements in process efficiency. The UNIVERSE can perform four processes on the fly, including sheet feeding, scoring and folding, collating, and the final sewing of the product. UNIVERSE allows cost-effective binding of short runs and the production of high-quality books with hands-free workflow due to the auto-programming feature and the reading of barcodes. The UNIVERSE also provides automatic set-up according to book format within minutes and a hybrid feeding system that allows the operator to combine sheets from digital runs with offset signatures.

        Smyth USA has tackled the need for book sewing capabilities in the digital printing arena with its introduction of the Smyth® Digital machine, a modular system that allows book manufacturers to produce lay-flat Smyth® sewn books with a minimal investment. Customers can upgrade from the standalone manual book sewing machine by adding an automatic feeder, turning the machine into an automatic book sewing machine for faster production outputs.

        Another option available is a digital flat sheet feeder that can be added to either the Smyth® standalone manual book sewing machine or to an upgraded automatic Smyth® book sewing machine. The Smyth® digital machine can produce lay-flat Smyth® sewn books consisting of only folded digitally printed flat sheets or it can produce books consisting of folded digitally printed flat sheets and offset signatures coming from the book sewing machine’s automatic feeder. This provides customers with flexibility, as the equipment is able to “grow” with production requirements. The Smyth sewing systems can be purchased fully integrated with the automatic feeder for offset signatures and the digital flat sheet folder or in modular steps, as described above.

        Digital Foil Technology Opens New Doors

        September 4, 2018

        by Melissa Larson, contributing writer, PostPress
        The new MGI JETvarnish 3D Evolution has expandable sheet options up to 29×47″/75x120cm at 3,300 B2s per hour.

        Eye-catching metallic effects are among the latest beneficiaries of the digital post-print revolution. Digital inkjet technologies with raised varnishes and foils, as well as laminating processes (foil sleeking), are being used for a variety of specialty print applications. The usual digital benefits – easy artwork, no makeready, no waiting, economic short runs, one-offs or variable data from copy to copy – are joined with the ability to add metallic foil and dimensional varnishes through digital processes.

        “The last 20 years have marked the steady adoption of digital design, workflow and press equipment in the marketplace – with both toner and inkjet-based systems,” explained Jack Noonan, marketing manager at MGI-USA in Melbourne, Florida. “The next phase of this evolutionary process will be to extend the flexible benefits of digital technology to the last frontier of job completion: the realm of postpress finishing. Examples of digital enhancement include 2D flat spot varnish coats, 3D raised dimensional textures and embossed variable data foiling (VDF).

        “A beneficial result of these new developments will be a growing market awareness about new types of ‘sensory-based’ print applications designed to create a memorable impact in a world of omni-channel communications. The tactile and optical special effects represent a powerful new way to use print as an information medium,” Noonan added.

        PostPress spoke with foil print production suppliers and business owners using the latest techniques to see how they are used and what the advantages are for various types of printed pieces. They also gave insight into how offering digital foil has helped them forge stronger connections with their customers.

        The technology

        According to Noonan, MGI JETvarnish 3D presses produce 100% digital print enhancements with dramatic and dynamic 2D/3D foil highlights for applications on hundreds of substrate surfaces, including paper, plastic and synthetic stocks. MGI demonstrated the first digital 2D UV process at Drupa 2008 and the world’s first 3D UV and digital foil embossing system at Drupa 2012. At Drupa 2016, MGI expanded the JETvarnish 3D product series with capabilities from 12×18″ to B1+/full sheet (29×47″) and 16.5″ rolls.

        “The JETvarnish 3D system can utilize variable data processing to create individually unique embossed foil impressions for images and alpha-numeric text,” Noonan said. “This print enrichment process translates into customer relationship-building benefits with the advantage of highlighting the impact and power of print in the marketplace. MGI digital special effects help printers energize the communication campaigns of brands and result in highly profitable new application revenue streams.”

        The Scodix Ultra2 Pro with Foil – Multi Material Digital Enhancement Press – provides brilliant foil effects for a wide variety of substrates.

        The Scodix Foil Station, available from Scodix Inc., Saddlebrook, New Jersey, is an optional module that runs inline with the company’s Scodix Ultra Pro digital enhancement press. It delivers foil capabilities such as high gloss, embossing and a variety of densities for short to medium runs, using a highly advanced, efficient digital process. Scodix Foil is ideal for coping with short to medium runs where long makeready and set-up times can be drastically decreased and tooling completely eliminated. It’s also highly suitable for converters and existing finishers offering foil for high-end short to medium runs.

        “Scodix Foil is designed for short to medium runs, particularly those where foil applications would previously be outsourced or require lengthy and costly makereadies,” said Lynn Kolevsohn, director of marketing. “Being a digital enhancement technology, Scodix Foil delivers what customers demand: brilliant foil effects, with no waste or mess. The application deploys a range of foils compatible with a wide variety of substrates including offset, digital, plastics, laminated or non-laminated and coated or uncoated. This enables us to deliver high-quality applications such as business and greeting cards, folders, book covers, brochures, labels, packaging, invitations and more.

        “Scodix effects also can be combined, so foil-on-foil is possible, as well as Scodix Sense (high gloss embossed varnish) on foil. Stunning effects can be produced that simply would not be possible with traditional methods,” she continued. “Another major selling point for Scodix Foil is that it works with variable data and can be personalized. Applications that would be cost-prohibitive through traditional methods – whether producing runs of one, or thousands – the process is cost effective. Prototyping – for applications such as folding carton packaging – is also possible.”

        Ticket to new business

        David Rula, partner and business development director of Digital Marketing Services, Inc. (DMS), Pelham, Alabama, has had an MGI system since January 2018. “We’ve been able to access a higher-level clientele, for instance advertising firms, and the capability of our MGI system is a differentiator.”

        These higher-level projects include mailers for luxury cars, fine art commemorative posters, ticketing, high-end book and brochure covers, and premium small packaging, such as that used for cannabis. Variable data also lets DMS do ticketing, and the company is in beta testing to work with the National Football League on ticketing, where the variable data capability will make quick work of row and seat numbers.

        The dazzling effects are sometimes difficult to get across in pictures or descriptions. “It’s hard to express to prospects,” said Rula. “A picture doesn’t do justice to what the finished product will look like. Sometimes clients need a sample before they can appreciate the visual and tactile effect.” The MGI system allows DMS to print and embellish a complete sample proof at a reasonable cost.

        Opening channels

        C&T Print Finishing, Inc., a family business in South Windsor, Connecticut, recently purchased an MGI JETvarnish 3DS with iFOIL press. According to principal Tracy Cole, this machine was obtained with the intention not to compete with the printers, but to embellish a printing company’s printed materials.

        “This new technology has opened doors to new customers and business, across all of New England, in addition to our existing commercial printing customers,” she said. “This also has opened up communication channels with designers who can design specifically with the MGI in mind – schools and colleges looking for posters and logos, and the average person looking for ‘Save the Date’ cards or invitations.”

        Cole said the MGI system allows C&T to provide a less expensive way to achieve the desired foil effect, because the customer does not have to pay for a traditional hot stamping die. The press “prints” UV at 2D or 3D levels, and the foil adheres to the UV. In addition to the metallic foil effect, the customer also can achieve an embossed effect with raised 3D inkjet varnish capability. The spot 2D UV alone, applied to a printed piece, improves the appearance of the printed product immensely. In addition, this technology allows C&T to offer variable foil at a low cost.

        When the customer needs to see what the finished piece will look like, it’s easily accomplished.

        “C&T frequently produces a variety of proofs, at little to no cost to the customer, because we don’t need to order a die, wait for the die to arrive and then spend hours on a difficult set-up,” said Cole. “Once we receive a properly set up file, MGI’s AIS (artificial intelligence scanner) allows for a quick makeready process. This capability makes it very efficient to produce samples within minutes, modify the sample based on the customer’s needs and quickly rerun a new proof.”

        Having this type of proofing process on the MGI also allows C&T to provide a true foiled proof to the customer. The finished metallic foil may be accomplished through the JETvarnish or through a more traditional foil stamping method, depending on the type and length of the job. This ability actually can help bring in further work on traditional foil stamping equipment as well.

        Shelf shout

        According to Kolevsohn, localization is another incentive for brands to make smaller runs, as products are tailored from region to region. The process comes with a high level of complexity, which is managed easily through digital technology.

        “For example, well-known beverage brands can create 10 different packaging variations for one whisky brand, increasing shelf appeal in different local markets,” she said. “A bright version – incorporating lucky reds, yellows and greens – might suit the Chinese market, while a subtler version could work better in the British market.”

        While it’s important to ensure there is an element of “shelf/shout,” something that makes packaging and the product itself unique is also key. These factors also make it difficult for the brand to be copied, reducing the risk of counterfeit goods, according to Kolevsohn.

        SunDance Marketing Solutions, Orlando, Florida, utilizes its MGI process to lay down the polymer coating, then laminate the foil over the clear polymer.

        “SunDance has all the latest foiling equipment and technology in house to achieve optimal efficiency, while delivering a stunning final product at a price point our customers love,” explained Kandi Johansmeyer, senior VP of sales and marketing.

        SunDance now offers digital variable foil for one-to-one marketing projects or corporate identity collateral. “We combine the latest digital printing methods with in-house finishing techniques to enhance the overall look and feel of a digital printed piece,” said Johansmeyer. “If customers need to execute a variable data job, but want to add some extra flair, we have several options available. We can utilize traditional hot foil stamping finishing services or foil sleeking techniques to create the desired end result. These processes allow us to execute highly personalized, custom small-run jobs with the additional visual and tactile enhancement of metallic foil.”

        SunDance offers an extensive color selection of foils, including holographic foils, custom foil colors, metallic foils, gloss or matte pigment foils and even refractive patterns that can be added to the stamp to produce an eye-catching 3D image range of options.

        According to Noonan, “These market trends translate into a very significant opportunity for printers to increase work volumes, new client acquisition strategies and profitability ratios. The advantages of digital print enhancement also can contribute to achieving new business development goals from a marketing and sales perspective. Digital print enhancement can be a key driver for future growth and a method of competitive differentiation for all print service providers.”

        “The growing success of service providers utilizing digital enhancement technology to embellish and decorate color ink output means that they can strengthen both their bottom line revenues and their customer relationships,” Noonan concluded.

        Bound for Success – Loose Leaf Keeps Up with the Digital Age

        March 19, 2018

        by Brittany Willes, editor, PostPress

        Print is dead. Or so many believed during years of market recession and with the rising prominence of digital files. Against all predictions, the print industry has experienced a remarkable renaissance in the past few years. Recent studies have shown that consumers are experiencing digital overload. As a result, print and digital files have been making strides to coexist in an ever-evolving marketplace. Traditional print products, such as loose leaf binders, have experienced their own renaissance. Loose leaf binder manufacturers are finding new and unique uses for binders, offering greater numbers of styles and enhancements and embracing consumer demands for more environmentally friendly products.

        Loose leaf binders have long been a popular choice as a sleek and professional option for displaying information. Different styles and sizes combine to create a unique look and feel for a given project. Smaller binders (1/2 sheet size) are portable, neat and great for presenting information quickly and easily. More visual content – such as photographs – can be shown off using landscape binders, while portfolio binders – generally used to combine product samples and literature – act as a kit or box display. Whatever the style or size, binders represent an attractive and cost-effective way of showcasing important projects.

        Not all binders are created equal, however. As with anything else, binders have their points of weakness that must be taken into account. Corporate Image, a Des Moines, Iowa-based binder manufacturer, is well versed in the challenges in designing products that can stand the test of time. For instance, one of the most common points of failure occurs at the hinge. Vice President Michael James stated, “Most binders use lightweight vinyl as the cover material. Over time, the vinyl becomes stiff and brittle.” This leads to cracked hinges that are destined to fail with time.

        To overcome this, manufacturers are developing new styles featuring stronger, longer-lasting hinges. Corporate Image has incorporated into its designs a flexhinge spine, where the hinge is created by scoring through one piece of the binder’s board. “This offers an extremely durable hinge that will last for years,” said James. “The hinges are lab tested and proven to open and close over 250,000 times without failure.”

        The flexhinge spine is available rounded or square, offering customers greater opportunity for customized products. As James noted, “The rounded spine has an interesting architectural look that sets it apart visually. The square spine is perfect when visual information needs to be presented clearly.”

        Ring size also can be a challenge for designers who think outside of the box, but there are unique solutions to such a problem. James explained that almost all ring systems are sized according to standard paper sizes. This poses a problem when it comes to incorporating unique paper and binder sizes. If the paper size is larger than normal, binders can be made to accommodate that size by choosing a ring that does not have boosters, which would normally interfere with the larger sheet. On the other hand, if the paper is smaller than normal, it may be a challenge to find a ring that will accommodate the smaller sheet size.

        In addition to designing longer-lasting products, manufacturers have begun finding new and unique uses for binders. For Corporate Image, this has included using three-, four- and five-panel ringless binders to showcase samples such as flooring, wallcoverings, tile, wood and more. Meanwhile, smaller binders are being used to great success for promoting the capabilities of businesses such as law firms and financial planning companies.

        The move from straightforward business presentation materials to sample promotions has been a strategic one, as binders become less of a document storage medium and more of an interactive showpiece. According to Dominic Zaidan, director of art and marketing at Vulcan Information Packaging, “With the increased use of digital documents as opposed to printed sheets, loose leaf manufacturers have had to shift their focus to either more packaging products or introduce market ring binder usage into the sample pages segment of the industry.”

        For manufacturers like Vulcan, expanding more into packaging has meant broadened manufacturing capabilities and more services offered to its customers, including the ability to convert printed sheets into custom rigid boxes and other presentation products. “Our print partners can sell binder and packaging related products, send us the printed sheets and we can do the converting,” stated Zaidan.

        Additionally, Vulcan now is able to produce true prototypes as close to the final products as possible, and they’re able to do so at a much faster rate. “With our UV digital press, automated cutting table and experienced sample makers,” said Zaidan, “we can produce production quality prototypes in as little as 24 hours.”

        Zaidan noted that even as manufacturers like Vulcan expand into other markets, loose leaf binders will always have a place in the industry. “Showrooms that offer products such as cloth samples, wallpaper, tile and flooring, wood finishes, surface and countertops will likely always want to have some type of ring binder for presentation purposes,” he said.

        Binders will continue to offer attractive and convenient methods for displaying product samples for customers to flip through and see all the available selections. “When used creatively as a sample holder, binders are a valuable solution for stores, marketing groups and sales people to show their samples,” Zaidan affirmed.

        Expanding manufacturing capabilities is not the only way in which binder manufacturers have evolved. Consumers today are more environmentally conscious than ever. As such, they are looking for more eco-friendly products. Manufacturers like Corporate Image are more than willing to accommodate these needs.

        “Corporate Image offers some of the most durable, eco-friendly and designable binders on the market,” remarked James. Unlike eco-friendly styles of the past, customers today are not limited in their design options. Corporate Image binder covers and liners are offset printed and offered in up to six colors. “Each binder is made with 100 percent recycled board,” he continued. “Additionally, every binder can be Forestry Stewardship Council (FSC) certified, indicating that it has been made from materials that meet certified forestry management practices.” For the “green” consumer, FSC certification is an important design component.

        For example, Corporate Image created an environmental binder for a hospice center that featured printing and debossing. “The goal was to create a durable binder that looked recyclable and also was compatible with patients who had chemical sensitivity,” explained James. “To that end, we chose Kraft endleaf paper for the cover material due to its high recycled content, which gave the binder the recycled look the customer wanted.” The binder was printed with special-mix colors to match Pantone colors closely on the brown board stock, and the customer’s logo was blind debossed on the front and back covers. “The combination of the unique materials and finishing techniques created a truly stunning binder,” said James.

        Incorporating more specialty finishing techniques, along with finding greater uses, will ensure binders continue to thrive in a digital world. As Zaidan explained, “Using binders as sample holders is a growth area that will keep our product relevant. As long as a company wants to present a ‘touch and feel’ of their samples, binders will remain relevant. In many instances, companies have tried a digital catalog only to realize they are missing the personal show-and-tell perspective of fabrics, furniture and construction materials present in a ring binder. The loose leaf binder market is still very strong and still in demand.”

        Decorating and Finishing Keep Up with Digital Label Printing Technology

        June 14, 2017

        by Jeff Peterson, editor-in-chief, PostPress
        The Mark Andy Digital Series integrates label production into a single-pass workflow, allowing for greater flexibility.
        We all know that digital printing has infiltrated virtually all aspects of the printing marketplace. The production and printing of labels is no exception. Possibly the most interesting aspect of label printing presses has been the creation of what is characterized as “hybrid” presses, where the label press is built to utilize both flexo and digital printing technologies. “The growth of this trend in digitally printed labels specifically played a significant role in our development of inline hybrid solutions,” stated Jill Smith, marketing manager for Mark Andy, Chesterfield, Missouri.

         

        With the growth in digital printing for short- to medium-run labels, and the emergence of hybrid label presses, a need has been created for decorating and finishing solutions to fit the digital format. Press manufacturers have developed both inline and offline converting/finishing solutions that can offer everything from diecutting and hot and cold foiling to UV coatings and laminates. “With the growth of digital printing, there continues to be more options and features with digital finishing,” explained Jim Kehring, strategic partner coordinator for AB Graphic International Inc., Elgin, Illinois. “Customers are finding great flexibility in new digital finishing technology.”

        Telstar Engineering’s Offliner® Web Transport Platform performs critical register/re-register with built-in servo-driven unwind and rewind units and can support various finishing modules.Telstar Engineering has been developing digital finishing machinery for several years for a variety of narrow-web customers. This led to the design of its Offliner® Web Transport Platform. This offline finishing machine allows printers to operate the digital printing press for other jobs while decorating and finishing operations can be completed on the original job. The Offliner actually allows narrow-web printers to take in jobs from other printers that do not have this type of offline capacity. The Offliner performs critical register/re-register with built-in servo-driven unwind and rewind units. The platform can support various finishing modules including cold foil, lamination, Cast & Cure holographic, rotary screen and diecutting. It can even be mounted with digital print heads, switching the process to “finishing with digital.”

        “We have shown many traditional label printers that they can thrive in the digital world and offer a variety of decorating and finishing techniques as well,” stated Tom Kirtz, president of Telstar Engineering.

        Mark Andy has developed a line of hybrid press offerings, including its highly configurable Digital Series platform, to create flexibility for its customers. The Digital Series offers the ability to run both flexo and digital print inline concurrently and includes inline modules for options such as cold foil, lamination, coating and inline diecutting. “By integrating all aspects of label production into a single-pass workflow, the resulting savings on time, waste and labor are significant,” explained Smith.

        The Digital Series hybrid label press is a true production-level digital solution that runs high-quality consistently at speeds of 240fpm (73mpm). It is available in a printing width of 13.25″ (336mm), supports repeats for flexo print stations from 5″ to 24″ (140 to 610mm) and is supported by Mark Andy’s digital front end ProWORX (powered by Esko). The Digital Series is engineered to be highly configurable. It features high-resolution UV inkjet printing and offers top-coating, fully integrated inline flexographic printing modules and a full range of inline converting/finishing options.

        ABG International has developed digital decorating and finishing equipment that can provide operations the flexibility to run inline after the digital label printing press or near-line where the finishing operations can be performed separately.

        “The best part about running “near-line” is you get to choose by the push of a button if you want to run inline or offline,” stated Kehring. “The length of the run is what usually helps determine this – the goal is to always keep the machine running.”

        The ABG International Digicon Series 3 was designed to add value to the operations digital printing technology, including the ability to meet the strong demand for higher speed cutting.

        The ABG International Digicon Series 3 was designed to add value to the operations digital printing technology. One of the newest developments for the Digicon 3 is the FAST Track die, claimed to be the world’s fastest semi-rotary diecutting system. The system was developed to meet the strong demand for higher speed cutting with the speed of digital printing presses continuing to increase. Another new addition is ABG’s Big Foot 50-ton capacity hot foil and embossing module that allows multiple foil feeding along and across the web, and raises narrow-web embossing to a new level. In addition, the Digicon 3 can include a Lamination in Register module that produces full width multilayer constructions, allowing for a preprinted web to be laminated to the main web in perfect register.

        Gallus has introduced its Labelfire 340 digital printing press, developed with Heidelberg Druckmaschinen AG. This unique digital press features a printing module with state-of-the-art inkjet printing heads and includes inline finishing processes that have been specifically optimized for digital printing. This allows the Labelfire 340 to varnish, foil embellish and further process labels inline – from the roll to the finished diecut label in a single production run.

        Integrated Gallus ECS modules support the digital flexibility of the Gallus Labelfire 340 as well. Labels can be varnished, laminated, embellished with cold foil and diecut in a single operation. The conventional modules support the use of primer, spot color, security or cold foil features, varnish or lamination without interrupting production, regardless of the complexity of the label.

        Several factors must be considered when determining what is the most efficient way to decorate and finish digitally printed labels. With hybrid label presses that run at maximum speeds, the ability to perform operations such as foil, embossing, laminating, etc. inline can be advantageous. However, offline or near-line options may be a better solution for small- to medium-sized runs or for digital presses that run at slower speeds. The bottom line is that press manufacturers are staying up with the times and providing solutions for digitally printed labels that can fit specific operations and specific applications.

        “As the digital revolution continues, manufacturers of narrow-web printing and converting machinery must have the ability to provide solutions for decorating and finishing that match the technology of the digital printing growth,” concluded Kirtz. There seems to be little doubt that this will be the case.

        Digital Front Ends for Package Printing

        August 13, 2016

        by Lee Zerfass, Anderson and Vreeland

        There has been a huge push towards digital printing over the last few years and increased interest in what digital printing has to offer, including short-run printing efficiencies, personalization, prototyping and more.

        Every digital press is a complicated piece of hardware; the mechanics “under the hood” are scary yet brilliant. Digital press vendors have encapsulated the complexities of their software in a single component called the Digital Front End, or DFE.

        Before digital presses, printers talked about RIPs, workflow, stepping, trapping, imposition, color mapping, calibration, etc. Mentally, we separate the components or tasks required to make flexo plates. But in the digital world, it’s just the “DFE” – a catch-all phrase for all of that software “stuff” that is required to keep the press running. For that matter, everything else up and downstream serves as the focal point for all job information, all the way to shipping methods and addresses.

        Think about how archiving physical plates is vastly different to storing jobs in the cloud. How do you know without hesitation which version of a job you printed an hour or a year ago? These are very useful concepts outside of the digital printing world too, but our world is getting much smaller, with merging technologies from other similar industries offering significant benefits for flexo.

        The bonus for management is it’s less complicated. Following a successful digital transition, operational costs are going to decline overall due to consolidation of data and efficient production. In fact, as a major manufacturer and distribution partner for the flexo industry, Anderson and Vreeland’s contention is that every business can benefit from a “DFE” – an integrated system that combines all of a client’s business systems and processes to drive business more efficiently.

        You can read about the benefits of Digital Front Ends in an article published in the February 2015 issue of Flexo magazine (registration required).

        Lee Zerfass is digital business development manager at Anderson & Vreeland, headquartered in Bryan, Ohio. This article was reprinted with permission. Read the original article at flexodaily.andersonvreeland.com.

         

        A Case for Digital Hardcover Binding

        December 14, 2015

        by Richard Romano, Industry Analyst, originally published by PrintPlanet

        Judging a book by its cover

        You’re picking out a gift for the book lover in your life. You’re browsing in your favorite bookstore, and you’ve narrowed your choice down to one of two titles: a lavish, beautifully printed and bound hardcover book and a standard, perfect-bound paperback. Which says “gift” more than the other? Even if the contents were exactly the same – think of a deluxe hardcover edition of Charles Dickens’ David Copperfield vs. the corresponding Penguin Classics mass-market paperback – which would be the more highly valued edition?

        Hardcover books always have been seen as more “deluxe” than paperbacks, and it’s not merely because they cost more. A hardcover always has imparted a greater quality to a title, and there is a reason why the phrase “direct-to-paperback” or “paperback original” always has (correctly or not) been used to describe a title of lesser or less literary quality than a hardback. An analogy is in the movie industry: a movie that has had a major theatrical release is deemed of greater quality than a so-called “direct-to-video” title (again, correctly or not!). A hardcover book obviously costs more to produce, thus has a larger production budget and implies to the prospective book buyer or reader that the producer or publisher of the book feels strongly enough about the title to warrant a lavish binding.

        As digital book production has evolved over the past several decades, the quality of the printing has improved, but publishers and producers of digital books have tended to neglect the binding. In fact, many aren’t even aware that digital books can be casebound – or, if they can, believe that it’s a prohibitively expensive or highly complex process. Neither of these things necessarily is true; digital books can and often are casebound, and it’s easy and affordable to do so. Sure, there are best practices and techniques, but there are best practices and techniques for every other aspect of printing, too.

        Casebound digital books are high-value print products and, even if they cost a bit more to produce, they also can command a higher selling price. More and more markets – and more and more opportunities – are opening up for digital hardcovers.

        Moving into the digital age

        Casebinding has been the general process for producing hardcover books for decades, if not centuries. It has been very much like a craft, often like printing itself, but over the years has required increasing levels of automation to boost productivity. Although “boutique” book printers and binders still do a lot of these things by hand, it’s impractical to make hand-tooled leather book covers for a 10-million copy printing of a bestselling author’s latest hit. At what the publisher would have to charge, it probably wouldn’t end up being much of a bestseller.

        Oddly enough, the same dynamics apply to today’s digital book printing. As we will discuss below, digital book printing has enabled shorter runs and on demand printing, and you would think that this environment would be ideal to bring back the hands-on craft aspect of bookbinding. And yet, the reason that short-run and on demand book printing is economical is precisely because the printing and binding operations are highly automated, productive and efficient.

        The markets for digital hardcover books

        The advent of digital printing in general, and digital book printing in particular, has opened up entirely new opportunities and markets for publishers, printers and end users. While mainstream publishers still are dependent upon the traditional model of mass printing, warehousing, distribution, shipping and returns, some have begun exploring the potential of digital printing. At the same time, it has opened up book publishing to small and even self-publishers who had been blocked from traditional publishing markets. E-commerce, meanwhile, solved one of the last remaining barriers to entry: distribution.

        Not all of digital book printing necessarily requires casebinding, just as all book publishing in general doesn’t require casebinding. But, just as digital printing is enabling high-volume print applications, digital casebinding can add even more value to that process.

        Areas of growth

        Again, not all book genres and niches benefit from a digital approach, and certain niches are better candidates for digital printing – and digital casebinding – than others. Let’s run through a few of them.

        Textbooks
        Textbooks always have been economically problematic, from both the publisher’s, as well as the buyer’s, perspective. The cost of production, a flourishing used textbook market and the need for regular revisions traditionally have made it necessary for publishers to charge very high prices for textbooks. This made things even more problematic for the student, and I can recall even in the mid-1980s that one could easily drop $200 or $300 a semester on college textbooks. Switching to digital printing won’t necessarily help with the overall economics of the textbook market; that said, however, shorter run lengths and a customization approach can make them more easily and economically updated. Digital printing has helped create new types of textbooks, such as textbooks that are specific to individual classes, instructors or even students. For instance, textbooks can be customized with personalized URLs and passcodes that give each student access to his or her own course website. The digital approach also allows instructors to compile their own “anthologies” and customized content.

        Yearbooks
        School yearbooks lend themselves quite well to digital book printing, as they tend to be short-run (unless you’re talking about a very large graduating class) specialty printed products. Adding a hardcover makes it even more of a keepsake.

        Photo Books
        If there has been one digital printing application that has been a runaway bestseller in the past decade, it has been digital photo books. Users upload their own photos of an event – a wedding, a birthday party, a holiday, you name it – and print limited editions as gifts for friends and family. Using casebinding rather than perfect binding only makes these books even more valuable and special.

        Children’s Books
        A growing market is digital children’s books, and many are even personalized. Take, for example, Put Me in the Story (www.putmeinthestory.com), where you can create children’s books and have your own children’s names and other details inserted into the book.

        Digital Coffee Table Books
        Fans of the TV series Seinfeld remember when Kramer published a coffee table book about coffee tables. As the term indicates, these are oversized, decorative, color gift books often designed more as decoration than reading matter. Indeed, they are left out on the coffee table with the aim of impressing guests. Not usually produced in large runs, digital is starting to catch on for these kinds of titles, especially as printing and binding equipment increasingly can support the oversized nature of these kinds of titles.

        Recipe Books
        Twenty years ago or so, a friend of mine’s sister-in-law compiled several dozen of her grandmother’s own homemade recipes, had them photocopied and spiral bound them into books that were then given as gifts to family members. It was a way to preserve the past for posterity (as well as some really good Italian recipes). Today, these types of recipe books can be produced in the same way as photo books. And, in this age of people Instagramming everything they eat, it even is easy to incorporate images for an even more high-value print application.

        Digital casebound bookbinding equipment

        On-demand books were one of the earliest applications for digital printing, and options for perfect-bound paperback books have been long available and affordable. Although casebound digital books have yet to achieve the volume of paper-bound books – if they ever will, which is unlikely – there are many affordable equipment options for companies looking to expand into hardcover books.

        Hardcover books always have been viewed by consumers as more of a “premium” item, a high-value print application that also serves as a keepsake, which is what new digital printing applications – like photo books, yearbooks and so forth – are producing. For years, casebinding was thought to be out of reach economically and even technologically. But, today’s digital casebinding systems bring high-quality bookbinding within the reach of virtually any shop, opening up new opportunities to produce those high-value print applications.

        Richard Romano is a well-respected industry analyst and originally produced this paper for PrintPlanet and On Demand Machinery (ODM). ODM, Elizabeth, New Jersey, recognized the huge growth in the on demand book market and the emerging photo book segment of the industry. ODM machines have significantly become more technologically advanced, without straying from the company’s original premise of keeping ODM machines simple and backing them with the best customer service and tech support in the industry. Experts at On Demand Machinery often find themselves doing more consultation with customers than selling and can help choose the right casebinding system, identify casebinding best practices and troubleshoot any problems. For more information, visit www.odmachinery.com.


        FAQs

        Isn’t all casebinding basically the same?
        Well, is all perfect binding the same? We’ve all had books – hard- and soft-cover – that after one read started shedding pages like a long-haired cat and other well-thumbed books that even after 20 years still are tightly bound together. Best practices for casebinding exist because you’re trying to produce a book that will stay together. If it is meant to be a keepsake or even handed down from generation to generation like a photo album, good binding techniques will ensure that it lasts.

        Are certain substrates better for casebinding than others?
        Yes. Traditional papers and substrates tend to work best and will be more compatible with the adhesives used in casebinding equipment. Coated papers can present difficulties in getting glues to adhere properly. A more important substrate issue, perhaps, is attention to grain direction. Pages in the book block should be printed so that the grain direction is parallel to the spine. Why? As any printer, binder or finisher intimately knows, paper readily absorbs moisture. Paper fibers in printed and bound books inevitably will pick up moisture (moisture also comes from the bookbinding adhesive), which means that the pages will expand. If the pages are bound with the grain perpendicular to the spine, this natural expansion is restricted and books will warp and become damaged. The grain direction in the binder’s board also should be the same as that in the book block, so that the board and the pages expand in sync with each other.

        Do adhesives matter?
        Of course! Not all adhesives are the same, behave the same way or have the same effectiveness on all substrates. At the moment, polyurethane reactive (PUR) glues, introduced in the 1990s, are touted as the latest and greatest in adhesives, but they’re not perfect for every application. Other types of adhesives used in bookbinding are ethylene vinyl acetate (EVA) hot-melt and polyvinyl acetate (PVA) cold-emulsion adhesives. PURs work via a chemical reaction with moisture in the substrate and, as such, can form a much stronger bond. However, PUR glues are more expensive and require longer curing times than other adhesives. Inadequate curing can lead to books falling apart or pages falling out after repeated use.

        Can casebinding be automated?
        There is no logical reason that it can’t be, other than the fact that it traditionally hasn’t been. Unlike perfect binding, casebinding usually has required a lot of user intervention to move book parts and pieces around the plant and physically assemble them. However, increasing demand for automated systems means that those systems are working their way to market. Automation is the next great frontier for casebinding.

        Is casebinding equipment JDF-compatible?
        Again, as with automation in general, there is no reason that it can’t be other than that it just generally wasn’t. Even all these years after JDF’s supposed world domination, it still has been haphazardly implemented, especially in finishing systems. Although JDF can offer end-to-end workflow automation, simple barcoding, like On Demand Machinery’s Book-Trac, can offer most of the benefits of JDF automation and is specific to bookbinding challenges, such as marrying the right cover with the right book block.

        Digital book printing has almost exclusively produced perfect-bound paperback books, but new markets are opening up for high-value, hardcover digital books – books that function as gifts, keepsakes and mementos. Casebinding often has been thought to be out of reach of most digital book printers, but today’s digital casebinding systems can offer high-quality and high-value print books at an affordable cost.

        Digital Finishing Changing Postpress Paradigms

        September 4, 2015

        by Jen Clark, PostPress
        Steve Bruno, MGI USA national sales manager, shows a poster that was finished with embossed foil 187 microns high on the iFoil and JETvarnish 3D digital enhancement system during the IADD•FSEA Odyssey.

        In the last 30 years, digital printing has grown at a very fast pace. Offset printers – commercial and packaging – became early adopters to digital technology and the optimization it offered. But, after an item was printed, the digital processes came to a stop, and highly skilled employees took on the task of completing time-consuming finishing techniques. From diecutting and creasing to foil stamping and UV inkjet, game-changing technology is starting to shift paradigms in the print finishing world and improve the bottom lines of its users.

        “The biggest influence that digital technology has had on the printing industry is that it has turned what used to be a craft production industry into a service industry and a science,” said Vic Stalam, president of Highcon, Inc. “Today’s printers – the most successful ones at least – have realized that providing great service and responsiveness to their customers is at least as important as the quality of the printed product. Digital technology has meant they can provide the short runs that their customers require – profitably!”

        Kevin Abergel, vice president of marketing and sales at MGI Digital Technology, Melbourne, Florida, agreed. “The impact on the printing industry has been tremendous over the last 10-15 years,” he said. “We believe that the time for digital finishing technology adoption has arrived. The transition to digital finishing is inevitable, simply because the nature of our society and economy is to develop and deploy new technology. For finishers, that “tipping point” of market adoption and conversion is being reached now. MGI foresees steady, long-term growth for digital solutions in the print finishing marketplace.”

        The advantages of integrating a digital finishing platform give businesses the opportunity to offer new services and gain new customers. “This digital process enables flexibility of design and process,” Stalam said. Other benefits include differentiation and efficiency. This means brand owners looking for innovation and differentiation no longer have to restrain their designers’ creativity, which “has been limited by the restrictions imposed by the conventional die,” he said. “Converters and printers will be able to offer a whole new level of time-to-shelf delivery, and consumers will get the high-quality products they need far more rapidly. And, as with any digital technology, the entire process is streamlined to solve the challenges of complicated supply chains and approval cycles.”

        Stalam called finishing the “last frontier of digital,” noting that prepress is all digital. “Digital printing is growing exponentially, but finishing has remained stubbornly analog,” he said. “Digital finishing is not just about taking the way we do finishing today and digitizing it. The real value is using the features that will bring value to our customers. We will help them sell more and basically grow their business. Our job is to help our customers make money.”

        Aside from the different technical approaches between offset and digital equipment, there have been two main areas where digital print finishing technology is making a difference: operational cost and business communication value, Abergel noted. “The operational cost changes are enormous,” he said. “Turnaround times dramatically are accelerated, and per-job costs significantly are decreased. Additionally, since the preparation and cleanup requirements for digital finishing systems are so minimal, there is a tremendous advantage from an operational management and workshop environment perspective. Digital technologies are faster, safer, cleaner and more cost-effective solutions than traditional analog methodologies for the growing short- and medium-run market segments.”

        As for business communication value, Abergel said the influence of digital finishing is just beginning to be felt. “VDF (variable data finishing) and FOD (finish on demand) express the revolutionary changes that digital is bringing to the industry,” he said.

        Technology opens doors for finishers

        The Highcon Euclid II series of digital cutting and creasing machines incorporate Highcon’s patented Digital Adhesive Rule Technology (DART) to produce creases, as well as high-speed laser optics to cut a range of substrates.

        Two relatively new pieces of equipment are moving the print finishing industry into the short- to medium-run market through the use of digital technology – the Highcon Euclid digital cutting and creasing machine and MGI’s iFOIL digital hot foil module.

        Headquartered in Israel, Highcon expanded into the Americas (North America, Canada and South America) in early 2015 after a successful launch of the Highcon Euclid II series of digital cutting and creasing machines at GRAPH EXPO 14. The Euclid incorporates Highcon’s patented Digital Adhesive Rule Technology (DART) to produce creases, as well as high-speed laser optics to cut a range of substrates. This process eliminates the conventional diemaking step. It has been installed at customer sites in the US, Europe, Middle East and Africa.

        “The Highcon Euclid is the first production digital cutting and creasing solution that actually brings the digital into finishing – with no need for a conventional die,” Stalam said. The machine handles carton board from 8-24pt and microflute up to 47pt. It can produce up to 1,500 B1 sheets per hour depending on the crease line length, type of substrate and job complexity. “Jobs are stored on a memory stick, not in a warehouse,” he added.

        Creasing data comes from a DXF file and is sent to the special DART canister, which releases polymer onto a Highcon DART foil in the form of rules that when cured will produce hard, raised lines, Stalam explained. The cutting is done by an array of high-powered CO2 lasers, combined with scanners and advanced optics, which perform the cutting design laid out in the software. The laser can produce etching effects, variable cutouts, perforations (like zipper tears), scoring and numerous other effects. “The Euclid system opens up a lot of opportunities to brand owners, because now they can design creative packages which they could not dream of before due to the limitations of current finishing technologies,” he said.

        The iFOIL module, MGI’s inline complement to the JETvarnish 3D UV spot coater, opens doors to digital embossing and hot foil stamping solutions. The iFOIL makes hot foiling easy since it requires no plates, no dies and no makeready, thus allowing users to produce hot foil stamping and embossing jobs on one to thousands of sheets on the fly, explained Abergel. The JETvarnish 3D can produce up to 5,200 12×18″ pages or 3,000 B2 pages per hour (2D effects) with an input/output capacity of about 4,000 sheets.

        “MGI digital finishing systems have the ability to serve as full-scale production systems for the largest enterprise printing organizations – and to serve as a bridge between the analog past and digital future,” he said. Producing visual elegance and tactile excitement, the JETvarnish 3D and iFOIL module can enhance everything from magazine covers, books, brochures and labels to invitations and packaging. It also takes personalization to the next level because the iFOIL allows for the personalization of embossed hot foil, a never-before-seen finish.

        A benefit of both products is the speed in which a proof can become a finished product. The Euclid produces proofs with the same process as the real production, Stalam said. “Also, the digital technology means that last-minute changes, whether due to errors or design changes, instantly can be implemented in the software. As one of our customers said, ‘Once we get approval, we can be in production within minutes.'”

        Similarly, digital finishing with the iFOIL opens up innovation on the creative side by giving finishers the ability to rapidly offer customers a wide variety of prototype options, a multitude of choices for customizing product brand identity and complete individuality in personalizing output for each unique client. This is what will create new demand and growth for the industry, Abergel said. “The tools of digital finishing – and the ability to generate multiple prototypes immediately before launching production – are giving graphic designers options, ideas, effects and alternatives that they’ve never had access to before,” he said. “Digital finishing is expanding the boundaries of what can be created, produced, customized and personalized. It is opening up the imagination of graphic artists across the industry.”

        Selling digital

        As run lengths continue to decrease, printers and converters face challenges with customer demands for rapid turnaround and highly customized designs. “Every customer has told us run lengths are decreasing every year,” Stalam said. And, while there can be reluctance from those who are wary of the change in process – “they need to rethink the whole supply chain with an emphasis on rapid turnaround and design flexibility and get the most out of the efficiencies.”

        “Our current customers have been the kind of visionary leaders that one would expect to adopt such a new technology,” Stalam said. “They saw the business advantages immediately and have been making huge strides in introducing it to their existing customers, as well as selling the benefits to new prospects. For digital printers, it is an easy concept to grasp as they are already in that on-demand, quick response frame of mind.”

        MGI believes that digital print finishing is the key driver to help generate a renaissance of printing in the 21st century. “We sell digital finishing technology with the concept that enhancing printed output also enhances printing customer relationships and, therefore, profitability,” Abergel said. “Unlike commodity work with low margins, unique print finishing can command high premiums. Furthermore, specialty print effects make print more special to the customer. Printed output becomes more personable, memorable and significant with enhancement. This leads to more repeat sales orders, more referrals and more new job opportunities.”

        While digital finishing can provide reduced operational costs and increased per-job and per-sheet profitability, MGI and Highcon agreed most print finishing companies utilize a balance between analog finishing and digital finishing. “Most craft print finishers will balance the distribution between digital and analog systems based on job requirements, Abergel said.

        Added Stalam: “We definitely see the Euclid working alongside traditional finishing techniques, which are better suited for very long runs with lots of repeats. But, we see a lot of short- and medium-run jobs moving rapidly to the digital finishing arena as the constant demand for market segmentation drives the requirement for frequent changes in design, in customization, seasonal products, etc.”

        Award-winning technologies

        The producers of GRAPH EXPO recently named both companies to its coveted “Must See ‘Ems” list. GRAPH EXPO 15 will take place Sept. 13-16 at McCormick Place South in Chicago, Illinois. The Highcon Euclid II+ and the MGI iFOIL T were chosen in the PostPress and Inline Finishing category. MGI also was recognized for its Meteor DP1000 and DF Pro Integrated Inline Product Suite in the Pressroom: Digital Presses category.

        iFOIL T builds on the technology of the iFOIL module, Abergel said. It is a full-scale production toner foiling system integrated inline with the Meteor DP presses. “This is an entirely new design strategy for enhancing output with foil because the potential variations of the color and reflection are infinite,” he explained. “So, now instead of simply having CMYK production color printing plus one additional color, you have CMYK production with virtually unlimited color and reflection possibilities based on the vast array of color foils available in the marketplace.”

        Of the honor, Stalam said: “The selection of Euclid technology as a Must See ‘Em at GRAPH EXPO reinforces our belief that our technology is ready and will fundamentally change the finishing business.”

        Additionally, the Printing Industries of America (PIA) honored Highcon (Euclid) and MGI (iFOIL) with 2015 InterTech Technology Awards. Since 1978, PIA has recognized ground-breaking technologies that are predicted to have a major impact on the graphic arts and related industries. The judging criteria are based on technological innovation and business value toward advancing the future growth of the entire print industry.

        In announcing Highcon’s award, Mark Bohan, PIA’s vice president of technology and research, noted: “Finishing often is seen as the bottleneck in production. This changes the balance with reduced turnaround time and no money spent on dies. The DART technology was an innovative approach to create crease lines – all in all, it makes short-run conversion of paper, labels, folding cartons and microflute more economical than ever.”

        Bohan said MGI’s iFOIL digital hot foiling system brings foil finishing into the digital era. “The application of variable data finishing (VDF) opens up whole new business opportunities for printers,” he said, noting the judges were particularly impressed with the range of metallic colors and tones, as well as the effects that can be created with the technology.

        Digital Print Challenges the Binding and Finishing Process

        March 25, 2015

        by Jen Clark, PostPress
        A project from McGraphics, Inc. that required foil stamping over digital printing.

        Keep the customer happy.

        That’s the mantra for printers, finishers and equipment manufacturers alike. With the rise in use of digital printing and its growing popularity, keeping the customer happy comes with a whole new set of worries for postpress experts.

        Finishing experts ready for digital production issues

        Customers expect their projects to be completed faster than ever, said Tom Alvis, owner of Seattle Bindery and Finishing. “Fast turnaround time, more and more digital printing and short-run jobs – these have been the trends for the last decade. We actually downsized our perfect binding capacity so we could be competitive on short-run jobs, and we decided to get out of the large-run market.”

        The Seattle, Washington-based postpress house specializes in custom tabs and presentation folders; folding and stitching; foil stamping, embossing and diecutting; plastic spiral; Wire-O®; perfect binding and film laminating. Embracing the digital print trend didn’t come without headaches, though. “The biggest challenge we find with digital print is the inconsistency in how finishing techniques work with products off of the different manufacturers’ presses,” Alvis said. “The chemistry is different. We do foil stamping, UV coating and laminating, and all three processes require adhesion to digital print. That is where we find the biggest challenge.”

        Digital print certainly has sped up the printing industry and increased turn times, said Neal McEwen, president of McGraphics, Inc. The only real disadvantage digital has to traditional printing is the registration issues. “Back in the old letterpress days, there would be gripper and guide marks,” he explained. “With digital print, we are getting things that have little to no registration. However, digital printing registration really has improved over the last few years.”

        McGraphics, Inc. is a family-owned graphic finishing house located in Nashville, Tennessee. Tommy McEwen is the company’s owner and his son, Neal, is the president. “My father started the company in 1986,” Neal McEwen said. “We have fewer than 25 employees, but have grown over the years to fill a 20,000 square foot facility.” He said his grandmother also worked for many years in the graphic finishing industry. “We’ve had three generations in this industry and have seen many changes and trends over the years,” he said.

        The company now is seeing more variable data work, McEwen said. “We do a lot of scratch-off foil stamping, probably four to five jobs a month of coupons for department stores and (car) dealerships. It has greatly increased our workload in many ways,” he said. “It’s also hurt us in other areas. With that said, my only real complaint is the lack of registration.”

        Alvis said figuring out how the various finishing techniques will work on digital print can be time-consuming. “Until a customer sends in a specific job off of their machine, we don’t really know if UV coatings, foil or laminating films will adhere or not,” he said. “Some digital printers also use fuser oil that leaves a residue on the sheet. Sometimes, we physically have to wipe the sheets down with rubbing alcohol to get anything to stick to them. We notice that the most with UV coating – the UV coating will scratch right off. However, if we rub the sheet down with alcohol, it will stick beautifully.”

        He said his company also has had to change the UV coatings that it uses to find one that will adhere to digital print. In addition, foils sometimes won’t stick to certain color areas. “I would say the most critical issue would be with laminating films. With foil and UV coating, we know right away if it is sticking or not,” he said. “With film laminate, we laminate the sheets and think they look good. However, if we let the sheets sit for 24 hours, like we prefer, before scoring, diecutting or cutting the laminated sheet, sometimes the laminate peels away from the edges. We’ve also seen the laminate stick to the image ink or toner, but then the ink or toner delaminates off of the paper. Out of all the heartaches with digital, that is the biggest one.”

        Another issue with digital print that Alvis noted is dry, brittle paper. “Some jobs will score and mold great, but the paper will be so brittle that no matter how we score it, it is going to crack,” he said.

        There are minor financial impacts because more testing is involved, he said. “We are happy to do testing because, while there is cost involved in doing a test, it is better than paying for a reprint. Nothing makes the customer unhappy more than that,” Alvis explained.

        McGraphics also provides testing as a courtesy for its customers – mostly with scratch-off foils. “We do need to make sure that our foils will stick to their inks or their digital prints,” McEwen said. “Sometimes, customers will bring in a couple of sheets for testing and we will throw those sheets in on a random die to make sure everything will work correctly.”

        Customers expect these postpress experts to be, well, experts, Alvis said. “They want us be able to work out any potential issues. And, if we can’t, we should be able to tell them ahead of time, not when the product already is in their hands.” For that, testing is key, but potential customers don’t always have time for that. “Those unknowns can end up costing some sales,” Alvis said.

        Even with existing customers, he said, testing comes in to play. “Once we’ve worked with a customer for a while, we are aware of what the digital jobs will require, and we know if there will be challenges,” he explained. “The first thing I do when I get a new customer – or someone has changed something on their press or gotten a new digital press – is ask them to send over sheets with heavy coverage so we can throw them through the UV coater, add foil and put them through the laminator. That way, we know what will or won’t work.”

        McEwen acknowledged that digital print shops, as well as digital press manufacturers, utilize different formulations regarding inks and papers, which is where testing plays a part. “All digital printers are different, but the digital inks and papers we work with are just fine,” he said. “It works basically like any other print job that comes in and we complete whatever finishing process the customer desires.”

        Manufacturers play a key role

        From the manufacturer’s standpoint, modularity and flexibility are the keys to successful digital print finishing operations. “Simply sheeting off the press can leave opportunity on the table,” said Lance Martin, director of sales for MBO America, Marlton, New Jersey. Martin talked about the numerous changes affecting all stages of production, and especially, finishing.

        “The most competitive printers today are offering an increasing range of products, from long-run offset to complex, variable jobs – with the fewest touches – and all while ensuring tight, verifiable control and reporting. They want the efficiency of going from a roll to finished product without handling it. Years ago, they wanted a box that made sheets,” Martin said. “Now, it has to fold, perforate, glue, affix cards, plow, diecut and track – and then be ready to switch to something else. We no longer have one line that works one way, to produce one product.”

        On top of increased types of production, postpress manufacturers have had to incorporate support for more media, as digital press OEMs are figuring out how to print on more stocks to bring costs down on digital print processes.

        Last, but not least – for now – is a changed labor pool. Martin said this is “another interesting phenomenon to consider.” He noted that manufacturers cannot make machinery that requires a deeply skilled journeyman operator making constant adjustments. “The operator has to be able to set the equipment up with minimal input, if any at all.”

        MBO prepared for these changes years ago, when it began migration to a business model based on system modularity, and in doing so now can support customers with cost-effective, flexible, automated solutions for all types of products “Customers can easily integrate and reconfigure lines to build systems that create complex results, but are simple to operate,” he said. “There is pressure on the industry for higher margins. We have to continue to take inefficiencies out of the equation. We have to figure out how to use less labor and increase automation to make our customers more competitive.”

        Moving forward, Martin sees a couple of trends on the horizon, including the introduction of more operator-friendly machines. He also sees a push for better use of variable data. “That isn’t anything new, but as people talk about the variable data ability of a press, we are learning more and more about how it can affect finishing too,” he said. “Any time a bar code goes down, we have to gather it so the finishing machines do something special for the customer.” Martin doesn’t think the full potential of variable data has been realized, either. “We are getting better every year, but we haven’t tapped into its full potential,” he said.

        Overall, Martin sees tremendous growth in the industry. “We’ve seen a lot of big pushes in the last six months. The entire printing market – all the major markets really – has seen increased activity. It’s good for the industry and we are prepared for it.”


        Related Story

        • Green Button Technology in Print Finishing

        Digital Printing Leads to Print Finishing Opportunities

        November 26, 2014

        by Marco Bigianti and Andreas Lanter, Bielomatik-Matti AG
        Anticipated development of the worldwide annual offset and digital printing volume.

        The market for print products is changing. Instead of high volume production runs, smaller volumes tailored to individual consumer requirements are in demand. Due to digital printing, such highly personalized media now is economically feasible.

        The market for traditional printing processes is declining, as a recent survey on the global printing market conducted by the British research institute Smithers Pira concludes. Digital printing, on the other hand, shows growth (Reference Chart 1). By 2018, digital printing equipment will have a 21-percent market share of the global printing market – with a trend of accelerating growth. It clearly comes at the expense of the “classic” processes like web and sheet-fed offset printing, whose market shares are stagnating or decreasing.

        Digital printing is predicted to grow by 26 percent over the next four years (Reference Chart 2). The main driver of this development is the trend to shorter print runs, not only due to new publications in small editions, but also because of “just-in-time” production that only prints the number of copies required or reduces the print job into various smaller volumes.

        According to Canon, in the year 2000, almost 40 percent of print products had volumes of over 10,000 copies. This share is expected to decline to 25 percent in 2020. As a result, more than half of the printing products will be in short runs between one and 2,000 copies; and, in 2010, the short run share already was 48 percent.

        The advertising industry naturally tries to address potential customers’ messages in a manner that is as targeted as possible and without any waste. Instead of sending an impersonal advertisement in accordance with the “one size fits all” principle, the recipient should preferably receive only those messages which are of interest. These interests would be verified through a CRM database. The consumer himself desires – and orders – individual printed products. It starts with a photo book or a calendar, progresses to a printed pillow case as a gift and leads all the way to having the consumer’s own image on the cover of a magazine. The potential is huge. There are no limits to the creativity of agencies and providers of print services.

        Digital printing – what’s next?

        Up-to-date and predicted shares of printing technologies in relation to worldwide print production.

        It is no surprise that digital printing is booming. A growing number of providers of print services are investing in appropriate systems or at least considering doing so. However, it often is overlooked that simply buying a digital press instead of an offset press and pretending that everything else will resolve itself is not enough. On the contrary, if one wants to take the full advantage of digital printing, it is important to consider the complete value creation chain from a digital printing perspective and to coordinate all individual steps according to the design of the final product.

        A proper plan for the print finishing, in particular, often is being ignored, even though this area is very complex and demanding. Should the product be glue-bound? Should a backstitched brochure be developed? Will the final product be wire comb- or spiral wire-bound? Or will the final product be cut, folded and sent as a mailing? Is there anything else that should be labeled or inserted? Should an additional coupon be integrated to tear off? The design of the end product and the necessary processing steps represent a great challenge.

        Another factor to consider is time: As a flexible process, digital printing enables considerable yield increases for the entire process. Current inkjet printing technology offers a speed of up to 250m/min from a roll of paper – without the time-consuming set-up time that one faces in offset printing. This advantage must not be wasted in the downstream process, and inline finishing equipment can meet the potential of digital printing via inline processing without any bottleneck in speed or performance. However, many companies utilize individual machinery or stations for various processing and binding methods. Current systems cannot fulfill the requirements of digital printing because of longer set-up times, various unsynchronized production speeds and equipment-related interruptions or shortfalls in the process flow. Also, in many companies a true digital workflow lacks full implementation.

        Technology now exists that will result in highly variable inline production. Today’s digital equipment offers modules that can be combined and integrated in a production line according to product requirements. Users benefit from a very fast process and streamlined production, as well as a manufacturing line which utilizes less space than an offline or a nearline production system. Additionally, the inline processing allows for less manpower and a greater level of safety during production due to a minimized manual interference.

        Conclusion

        Currently, the printing industry is facing structural changes and profound consolidation. The print runs are getting smaller and smaller, with an increasing number of individual print jobs. To be profitable with these order structures, the highest flexibility in printing and finishing – as well as an increased performance in workflow – is required. Overall, inline finishing equipment can result in much shorter turnaround time for orders, resulting in more orders per time unit than with “conventional” production processes. Print finishing companies may wish to discuss with their print partners the opportunities provided with inline finishing processes in a digital workflow.

        With Bielomatik-Matti AG (short: bielomatti), a joint venture of bielomatik Leuze GmbH + Co. KG (Neuffen, D) and Matti Technology AG (Sulgen, CH), a new player enters the market to enable printers to address the above-mentioned problems. The purpose of this venture is to combine Matti’s know-how in the integration of digital printing systems with the extensive converting technology portfolio of bielomatik. The Matti Group, headquartered in Sulgen, Switzerland, specializes in the integration of inkjet print heads and systems. Matti develops, produces and sells machines, equipment and solutions for inkjet high-speed printing, including aggregates for the prepress and postpress processes. The machine manufacturer bielomatik (located in Neuffen, Germany) is a leading solution provider of paper processing and plastic welding machinery. The portfolio for paper processing includes cutting and packaging lines for small formats (cut-size), folio-size sheeter for paper, board and foil, as well as security and banknote paper. Furthermore, the manufacturer has production lines for exercise books and writing pads with wire comb-, spiral-, glue-, thread- or stitch binding. Combining the know-how of bielomatik and Matti results in a digital printing and converting solution provider that enables customers to reap the benefits of digital printing and converting to maximize profits. For more information, visit www.bielomatik.com.

         

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